1981-1989
Computer Graphics; Human/Computer Interface; Digital Cave to Fractal Gardens
Computer science courses and personal computers. An evolution from personal to fractal space. Laser print transfers onto printing surfaces to produce digital prints. How does the perception of analog and digital spaces affect the viewer?
Blind1
Drypoint and Softground, 36″ x 24″, 1981
Memory Counter Memory
Lithograph, 30″ x 22″, 1981
Hatches
Graphite and Acrylic, 72″ x 72″, 1983
Sequence
Graphite on wall, Acrylic, Wood and Screen, 140″ x 58″, 1981
Mechanics of Memory/Movement
Acrylic, 72″ x 72″, 1983
Mechanics of Memory III
Charcoal and Acrylic, 44″ x 30″, 1983
Mechanics of a Moment
Woodcut, 37″ x 25″, 1984
Linear Equation
Acrylic on Wood and Canvas, 72″ x 72″, 1983
Text of a Lattice/Cartesian
Acrylic on Canvas and Wood, 144″ x 72″, 1983
Sheldon Gallery
1983
Flower and Trellis II
Acrylic on Wood, 48″ x 72″, 1984
Flower and Trellis III
Acrylic on Wood and Canvas, 48″ x 108″, 1984
Spanish Garden
Woodcut. 44″ x 30, 1986
Black Fence
Woodcut, 44″ x 30″, 1985
Spanish Garden
Acrylic, 72″ x 48″, 1987
Silver Garden
Acrylic, 72″ x 48″, 1987
Greek Garden
Woodcut, 44″ x30, 1987
Versailles Trellis
Acrylic on Wood and Canvas, 96″ x72″, 1987
Plato’s Pool
Acrylic on Wood, 72″ x 48″, 1988
Joslyn Museum
Midlands Invitational, 1990